Metadata type
Last updated on
Apr 1, 2026
Find metadata types and display options available for Program Monitor and Source Monitor overlays in Adobe Premiere.
Consult this reference when configuring overlay settings to verify available metadata fields, understand display options, or compare overlay capabilities across different viewing modes.
Monitor overlays display in Composite Video mode only and are accessed through the wrench icon in the Program Monitor or Source Monitor.
Available metadata fields
The following metadata can be displayed as monitor overlays in Premiere:
|
|
Description |
Display behavior |
|
Source Timecode |
Original source clip timecode value |
Updates dynamically with playhead position; displays for each video track (V1, V2, V3) and audio track (A1, A2, A3) |
|
Sequence Timecode |
Current sequence timecode position |
Updates dynamically with playhead position |
|
Marker comments |
Comments from clip and sequence markers |
Displays marker name concatenated with comment text; clip markers show individual tracks, sequence markers display as single overlay |
|
Sequence Clip Name |
Name of clip as it appears in sequence |
Static display while playhead is within clip boundaries |
|
Project Clip Name |
Original clip name from Project panel |
Static display while playhead is within clip boundaries |
|
File Name |
Source file name on disk |
Static display while playhead is within clip boundaries |
|
Sound Timecode |
Frame-accurate audio timecode |
Updates dynamically with each frame like standard timecode |
|
Sound Roll |
Audio roll identifier |
Static value; does not update during playback |
|
Multi-Camera Sources |
Camera angle identifiers |
Displays track names, clip names, or camera numbers based on Create Multi-Camera Source Sequence settings |
Edit point and media indicators
Visual indicators appear automatically when enabled in Overlay Settings:
|
Indicator type |
Visual appearance |
Trigger condition |
|
Edit Point Indicators |
Yellow angular brackets at bottom edge |
Playhead positioned on In or Out point of any clip |
|
End of Sequence |
Purple frame along right edge |
Playhead extends beyond last frame of sequence |
|
End of Media |
Striped column along edge |
Playhead on first frame (left edge) or last frame (right edge) of clip with no adjacent media |
Display settings
Text appearance controls
|
Setting |
Options |
Effect |
|
Text Size |
Small, Medium, Large |
Controls font size for all overlay text; large sizes may truncate in limited space |
|
Opacity |
1% to 100% |
Determines overlay transparency; 1% nearly transparent, 100% fully opaque |
Playback and transmission options
|
Option |
Function |
|
Enable Overlays During Playback |
Displays overlays while footage plays; disabled shows overlays only when paused or scrubbing |
|
Enable Overlays For Transmit |
Sends overlay display to external monitors via hardware transmission |
Safe margin settings
Action and Title Safe Area overlays define broadcast-safe zones for video content:
|
Safe margin type |
Purpose |
|
Action Safe |
Defines visible area on television displays; content outside this boundary may not appear on TV screens |
|
Title Safe |
Restricts text and titles to area that won't be clipped on television displays |
|
4:3 Safe Margin |
Displays additional boundary for 4:3 aspect ratio compatibility |
Safe margins provide visual guides with customizable horizontal and vertical control settings.
Multi-Camera view display
Multi-Camera view mode supports up to two metadata properties selected in Overlay Settings. Available camera angle display options depend on Camera Names selection in the Create Multi-Camera Source Sequence dialog box:
- Track names (V1, V2, V3...)
- Clip names (as assigned in the Project panel)
- Camera numbers (numerical identifiers)
Selected metadata appears on each camera angle thumbnail in the Source Monitor during multi-camera editing sessions.
Overlay placement zones
The Overlay Settings dialog box organizes metadata fields into four placement quadrants that correspond to monitor display positions:
- Left: Typically Source Timecode for multiple video and audio tracks
- Right: Sequence information and file identifiers
- Top Middle: Marker comments and sequence markers
- Bottom Middle: Edit point and media indicators
Quadrants scale proportionally with monitor size while maintaining relative placement.
Overlay presets
Custom overlay configurations can be saved, exported, and imported as preset files:
|
Preset operation |
File format |
Purpose |
|
Save Preset |
.olp |
Stores current Overlay Settings configuration for quick recall |
|
Export Preset |
.olp |
Creates shareable preset file for use on other systems |
|
Import Preset |
.olp |
Loads externally created or shared overlay configuration |
|
Delete Preset |
N/A |
Removes preset from available preset list |
Presets enable rapid switching between different overlay layouts or metadata content for various workflow requirements.
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