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Tone mapping in Premiere Pro

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Learn about tone mapping for HDR (High Dynamic Range) video to SDR (Standard Dynamic Range) video workflows for efficient editing with different types of footage and color spaces in the same sequence in Premiere Pro.

Tone mapping works with HDR video, like iPhone HLG, as well as other HLG and PQ formats. It also supports log video, including Sony S-Log, Canon C-Log, and Panasonic V-Log.

HDR footage, such as iPhone HLG video, looks blown out in a standard sequence.
HDR footage, such as iPhone HLG video, looks blown out in a standard sequence.

Automatic tone mapping recalculates the HDR color values to display consistently in the narrow Rec. 709 color space.
Automatic tone mapping recalculates the HDR color values so that they display consistently in the narrow Rec. 709 color space.

Steps to tone mapping

Tone mapping iPhone & HLG media

  1. iPhone HLG clips are automatically detected and interpreted on import, just drag and drop them onto a Rec. 709 timeline for tone mapped preview. 

  2. Automatic tone mapping is enabled by default. If you want to turn it on or off, use the checkbox for Auto Tone Map Media in Sequence Settings.

Tone mapping log video

  1. To tone map log video, enable automatic detection and interpretation by enabling Auto Detect Log Video Color Space under General preferences.

  2. Once done, you can drag the video to a Rec. 709 timeline.

Note:

You can also set the method by which your sequence or media is tone mapped while exporting to create SDR deliverables from an HDR working color space.

Supported Camera Log Formats

Camera

Log Video Color Spaces

Supported Containers

Sony

S-Log2/S-Gamut

S-Log3/S-Gamut3

S-Log3/S-Gamut3.Cine

MXF, Mov, MP4

Canon

Canon Log2/Cinema Gamut

Canon Log3/Cinema Gamut

MXF Only

Panasonic

Panasonic V-Log/V-Gamut

MXF, MP4, Mov

Apple iPhone

iPhone 15 Pro

iPhone 15 Pro Max

Apple ProRes Log/ Rec 2020

Mov

Clip interpretation

Learn how to manage color spaces in Premiere Pro (HLG HDR, standard, Log media)

Related resources

  • Color grading workflows in Premiere Pro
  • Display color management
  • HDR for broadcasters

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