Export the FCP X project as an XML file. For more information, see the Final Cut Pro documentation.
- Adobe Premiere Pro User Guide
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- Getting started
- Hardware and operating system requirements
- Creating projects
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- Frame.io
- Import media
- Importing
- Importing from Avid or Final Cut
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- Editing
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- Sequences
- Create and change sequences
- Set In and Out points in the Source Monitor
- Add clips to sequences
- Rearrange and move clips
- Find, select, and group clips in a sequence
- Remove clips from a sequence
- Change sequence settings
- Edit from sequences loaded into the Source Monitor
- Simplify sequences
- Rendering and previewing sequences
- Working with markers
- Add markers to clips
- Create markers in Effect Controls panel
- Set default marker colors
- Find, move, and delete markers
- Show or hide markers by color
- View marker comments
- Copy and paste sequence markers
- Sharing markers with After Effects
- Source patching and track targeting
- Scene edit detection
- Cut and trim clips
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- Audio
- Overview of audio in Premiere Pro
- Edit audio clips in the Source Monitor
- Audio Track Mixer
- Adjusting volume levels
- Edit, repair, and improve audio using Essential Sound panel
- Enhance Speech
- Enhance Speech FAQs
- Audio Category Tagging
- Automatically duck audio
- Remix audio
- Monitor clip volume and pan using Audio Clip Mixer
- Audio balancing and panning
- Advanced Audio - Submixes, downmixing, and routing
- Audio effects and transitions
- Working with audio transitions
- Apply effects to audio
- Measure audio using the Loudness Radar effect
- Recording audio mixes
- Editing audio in the timeline
- Audio channel mapping in Premiere Pro
- Use Adobe Stock audio in Premiere Pro
- Overview of audio in Premiere Pro
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- Overview of video effects and transitions
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- Overview of the Essential Graphics panel
- Create a title
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- Export text
- Speech to Text FAQs
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- Best Practices: Faster graphics workflows
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- Overview: Color workflows in Premiere Pro
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- Auto Color
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- Set preferences
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Learn how to import projects, selected clips, or selected sequences exported from Final Cut Pro (FCP) 7 and Final Cut Pro (FCP) X
Migrate from Final Cut Pro X
Final Cut Pro X exports a .fcpxml file, which Premiere Pro does not recognize.
To bring in an FCP X file into Premiere Pro, you need a converter tool that converts the .fcpxml file generated from Final Cut Pro X into a standard .xml file that Premiere Pro can import.
Adobe recommends using the XtoCC tool for this conversion.
High-level overview of the process:
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Convert the XML file into something Premiere Pro can read using the XtoCC tool. For more information, see the XtoCC documentation.
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In Premiere Pro, select File > Import. Browse to the XML file, and click Open.
Not all elements of a Final Cut Pro X project get imported into Premiere Pro.
Here is a quick summary of what gets translated and what does not.
For a complete list of supported and unsupported elements, see the XtoCC documentation.
Elements
What gets translated
What does not get translated
Clips
- Event clips: A bin named after the event is created containing all the master clips, and bins named for each keyword, favorite or rejected range are created containing subclips representing these ranges. The keyword’s Notes are added to the subclip’s Log Note field.
- Gap clips: Gap clips become empty spaces in the track.
- Compound clips: Compound clips become sequences, and compound clips in a project become nested sequences.
- Synchronized clips: Synchronized clips are translated into merged clips.
Multicam clips become collapsed clips containing the active angle(s)
Project
For projects, video clips and stills in the primary storyline become clips in track V1.Audio clips in the primary storyline become clips in tracks A1. Connected clips and clips in secondary storylines are added to higher numbered video and audio tracks.
If there are video clips connected directly below the primary storyline these become track V1 below primary storyline clips in track V2, while lower video clips become disabled clips in higher numbered video tracks.
Timecode
The starting timecode of the project and its settings are maintained.
Markers
- Unfinished to-do markers become red markers
- Completed to-do markers become green markers
- Chapter markers become yellow markers
Audio
- Audio volume and pan and their keyframes on a whole clip are added to all audio tracks.
- Fade in and fade out handles are recreated using audio level keyframes.
- Audio volume and pan and their keyframes on individual audio components are added to their appropriate audio tracks.
Effects and transitions
- Cross Dissolve, Zoom, Flash, Lens Flare, Black Hole, Flip, Page Curl, Ripple, Swing, Cube, Doorway, Squares, Star, Band, Center, Checker, Clock, Gradient, Inset, Letter X and Wipe transitions are substituted with equivalents
- Other transitions become Cross Dissolve
- Audio transitions become Cross Fades
- Custom settings are not translated — transitions apply with default settings
- Transition settings
Blend modes
Subtract, Darken, Multiply, Add, Lighten, Screen, Overlay, Soft Light, Hard Light and
Difference blend modes become their equivalent composite modesOther blend modes are not supported
Text
Titles become Text titles containing the original text. Some titles with complex builds may have the text out of order in the Text title.
Speed
Constant speed changes are preserved.
Keyframed speed changes are converted to a constant speed change that maintains the duration of the original clip and uses the average speed of the clip.
Import XML project files from Final Cut Pro 7
You can import entire projects, selected clips, or selected sequences that you export from Final Cut Pro as XML files. In Premiere Pro, bins and clips have the same hierarchies and names that they have in the Final Cut Pro source projects. Also, Premiere Pro retains the sequence markers, sequence settings, track layout, locked tracks, and sequence timecode start points of Final Cut Pro source projects. Premiere Pro imports text from the Final Cut Pro Text generators into Premiere Pro titles.
You cannot import native Final Cut Pro project files, only XML files exported from Final Cut Pro. You can export Final Cut Pro XML files from Premiere Pro. The effects that are translated from Premiere Pro are the same as those that are imported from a Final Cut Pro XML f ile.
For a list of items in Premiere Pro that are translated from a Final Cut Pro XML file, see Final Cut Pro clip data, Final Cut Pro effects and transitions, Final Cut Pro composite modes, and Final Cut Pro Multiclips. Also, see the PDF, Appendix D: Working with Final Cut Pro from the Editor's Guide to Premiere Pro by Richard Harrington, Robbie Carman, and Jeff Greenberg for more information.
Import an XML file from Final CutPro
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Export an XML file from Final Cut Pro. For more information, see Final Cut Pro Help.
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In Final Cut Pro, close the source project.
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In Premiere Pro, select File >Import.
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Browse to the XML file, and click Open.
Learn the simple XML workflow for exporting projects from Final Cut Pro and importing them into Premiere Pro in this video tutorial.
Final Cut Pro clip data
Clip data in the Description, Scene, ShotTake, and LogNote fields in Final Cut Pro appear in the clip metadata fields with the same names in Premiere Pro.
Final Cut Pro effects and transitions
Premiere Pro retains the basic motion and opacity effects, and motion and opacity keyframes, from Final Cut Pro source projects. Additionally, Premiere Pro converts some Final Cut Pro effects and transitions according to the following tables:
Final Cut Pro effect |
Premiere Pro effect |
---|---|
Crop |
Crop |
Eight-Point Garbage Matte |
Eight-Point Garbage Matte |
Four-Point Garbage Matte |
Four-Point Garbage Matte |
Gaussian Blur (provided the channel selection in Final Cut Pro is Alpha+RGB.) |
Gaussian Blur |
Luma Key |
Luma Key |
Three-Way Color Corrector |
Three-Way Color Corrector |
Final Cut Pro transition |
Premiere Pro transition |
---|---|
Dip To White |
Dip To White |
Dip to [color] |
Dip To Black |
Edge Wipe transitions |
Wipe, with the wipe direction rounded to the closest of the eight Premiere Pro supported directions. |
Other video transitions |
Cross Dissolve |
Final Cut Pro audio effect |
Premiere Pro audio effect |
---|---|
Audio level values and keyframes |
Audio clip volume values and keyframes |
Audio pan values and keyframes |
Track pan values and keyframes |
Low Pass Filter |
Lowpass |
High Pass Filter |
Highpass |
Band Pass Filter |
Bandpass |
Final Cut Pro audio transition |
Premiere Pro audio transition |
---|---|
Cross Fade (0 dB) |
Constant Gain |
Cross Fade (+3 dB) |
Constant Power |
Other transitions |
Constant Power |
Final Cut Pro composite modes
Premiere Pro retains the basic motion and opacity effects, and motion and opacity keyframes, from Final Cut Pro source projects. Premiere Pro converts Final Cut Pro composite modes according to the following table:
Final Cut Pro mode |
Premiere Pro mode |
---|---|
Normal |
Normal |
Add |
Linear Dodge (Add) |
Subtract |
Not supported |
Difference |
Difference |
Multiply |
Multiply |
Screen |
Screen |
Overlay |
Overlay |
Hard Light |
Hard Light |
Soft Light |
Soft Light |
Darken |
Darken |
Lighten |
Lighten |
Travel Matte Alpha |
Not supported |
Travel Matte Luma |
Not supported |
Final Cut Pro Multiclips
Premiere Pro converts uncollapsed Final Cut Pro Multiclips, with as many as four inputs, to Multi-camera sequences. Premiere Pro converts collapsed Multiclips to individual clips.
Premiere Pro issues a warning when you try to import a Multiclip with more than four inputs.