User Guide Cancel

Use Motion effect to edit, animate clips

  1. Adobe Premiere Pro User Guide
  2. Beta releases
    1. Beta Program Overview
    2. Premiere Pro Beta Home
    3. Beta features
      1. Generative extend overview 
      2. Generative extend FAQs
      3. Color management system
  3. Getting started
    1. Get started with Adobe Premiere Pro
    2. What's new in Premiere Pro
    3. Best practices for updating Premiere Pro
    4. Keyboard shortcuts in Premiere Pro
    5. Accessibility in Premiere Pro
    6. Frequently asked questions
    7. Release notes
  4. Hardware and operating system requirements
    1. Hardware recommendations
    2. System requirements
    3. GPU and GPU Driver requirements
    4. GPU Accelerated Rendering & Hardware Encoding/Decoding
  5. Creating projects
    1. Start a new project
    2. Open projects
    3. Move and delete projects
    4. Work with multiple open projects
    5. Work with Project Shortcuts
    6. Backward compatibility of Premiere Pro projects
    7. Open and edit Premiere Rush projects in Premiere Pro
    8. Best Practices: Create your own project templates
  6. Workspaces and workflows
    1. Workspaces
    2. Import and export FAQs
    3. Working with Panels
    4. Windows touch and gesture controls
    5. Use Premiere Pro in a dual-monitor setup
  7. Frame.io
    1. Install and activate Frame.io
    2. Use Frame.io with Premiere Pro and After Effects
    3. Integrate Adobe Workfront and Frame.io
    4. Share for review with Frame.io
    5. Invite collaborators to co-edit a project
    6. Frequently asked questions
  8. Import media
    1. Importing
      1. Transfer files
      2. Importing still images
      3. Importing digital audio
    2. Importing from Avid or Final Cut
      1. Importing AAF project files from Avid Media Composer
      2. Importing XML project files from Final Cut Pro 7 and Final Cut Pro X
    3. File formats
      1. Supported file formats
      2. Support for Blackmagic RAW
    4. Working with timecode
  9. Editing
    1. Edit video
    2. Sequences
      1. Create and change sequences
      2. Set In and Out points in the Source Monitor
      3. Add clips to sequences
      4. Rearrange and move clips
      5. Find, select, and group clips in a sequence
      6. Remove clips from a sequence
      7. Change sequence settings
      8. Edit from sequences loaded into the Source Monitor
      9. Simplify sequences
      10. Rendering and previewing sequences
      11. Working with markers
      12. Add markers to clips
      13. Create markers in Effect Controls panel
      14. Set default marker colors
      15. Find, move, and delete markers
      16. Show or hide markers by color
      17. View marker comments
      18. Copy and paste sequence markers
      19. Sharing markers with After Effects
      20. Source patching and track targeting
      21. Scene edit detection
    3. Cut and trim clips
      1. Split or cut clips
      2. Trim clips
      3. Edit in Trim mode
      4. Perform J cuts and L cuts
      5. Create and play clips
      6. Adjust Trimming and Playback preferences
    4. Video
      1. Synchronizing audio and video with Merge Clips
      2. Render and replace media
      3. Undo, history, and events
      4. Freeze and hold frames
      5. Working with aspect ratios
    5. Audio
      1. Overview of audio in Premiere Pro
      2. Edit audio clips in the Source Monitor
      3. Audio Track Mixer
      4. Adjusting volume levels
      5. Edit, repair, and improve audio using Essential Sound panel
      6. Enhance Speech
      7. Enhance Speech FAQs
      8. Audio Category Tagging
      9. Automatically duck audio
      10. Remix audio
      11. Monitor clip volume and pan using Audio Clip Mixer
      12. Audio balancing and panning
      13. Advanced Audio - Submixes, downmixing, and routing
      14. Audio effects and transitions
      15. Working with audio transitions
      16. Apply effects to audio
      17. Measure audio using the Loudness Radar effect
      18. Recording audio mixes
      19. Editing audio in the timeline
      20. Audio channel mapping in Premiere Pro
      21. Use Adobe Stock audio in Premiere Pro
    6. Text-Based Editing
      1. Text-Based Editing
      2. Text-Based Editing FAQs
    7. Advanced editing
      1. Multi-camera editing workflow
      2. Editing VR
    8. Best Practices
      1. Best Practices: Mix audio faster
      2. Best Practices: Editing efficiently
      3. Editing workflows for feature films
  10. Video Effects and Transitions
    1. Overview of video effects and transitions
    2. Effects
      1. Types of effects in Premiere Pro
      2. Apply and remove effects
      3. Use FX badges
      4. Effect presets
      5. Metadata effect in Premiere Pro
      6. Automatically reframe video for different social media channels
      7. Color correction effects
      8. Effects Manager
      9. Change duration and speed of clips
      10. Adjustment Layers
      11. Stabilize footage
    3. Transitions
      1. Applying transitions in Premiere Pro
      2. Modifying and customizing transitions
      3. Morph Cut
  11. Titles, Graphics, and Captions
    1. Properties panel
      1. About Properties panel
      2. Edit text
      3. Edit shapes
      4. Edit audio
      5. Edit video
      6. Mask with shape
      7. Create, apply, and redefine text styles
    2. Essential Graphics panel (24.x and earlier) 
      1. Overview of the Essential Graphics panel
      2. Create a title
      3. Linked and Track Styles
      4. Working with style browser
      5. Create a shape
      6. Draw with the Pen tool
      7. Align and distribute objects
      8. Change the appearance of text and shapes
      9. Apply gradients
      10. Add Responsive Design features to your graphics
      11. Speech to Text
      12. Download language packs for transcription
      13. Working with captions
      14. Check spelling and Find and Replace
      15. Export text
      16. Speech to Text FAQs
    3. Motion Graphics panel (24.x and earlier)
      1. Install and use Motion Graphics templates
      2. Replace images or videos in Motion Graphics templates
      3. Use data-driven Motion Graphics templates
    4. Best Practices: Faster graphics workflows
    5. Retiring the Legacy Titler FAQs
    6. Upgrade Legacy titles to Source Graphics
  12. Fonts and emojis
    1. Color fonts
    2. Emojis
  13. Animation and Keyframing
    1. Adding, navigating, and setting keyframes
    2. Animating effects
    3. Use Motion effect to edit and animate clips
    4. Optimize keyframe automation
    5. Moving and copying keyframes
    6. Viewing and adjusting effects and keyframes
  14. Compositing
    1. Compositing, alpha channels, and adjusting clip opacity
    2. Masking and tracking
    3. Blending modes
  15. Color Correction and Grading
    1. Overview: Color workflows in Premiere Pro
    2. Color Settings
    3. Auto Color
    4. Get creative with color using Lumetri looks
    5. Adjust color using RGB and Hue Saturation Curves
    6. Correct and match colors between shots
    7. Using HSL Secondary controls in the Lumetri Color panel
    8. Create vignettes
    9. Looks and LUTs
    10. Lumetri scopes
    11. Display Color Management
    12. Timeline tone mapping
    13. HDR for broadcasters
    14. Enable DirectX HDR support
  16. Exporting media
    1. Export video
    2. Export Preset Manager
    3. Workflow and overview for exporting
    4. Quick export
    5. Exporting for the Web and mobile devices
    6. Export a still image
    7. Exporting projects for other applications
    8. Exporting OMF files for Pro Tools
    9. Export to Panasonic P2 format
    10. Export settings
      1. Export settings reference
      2. Basic Video Settings
      3. Encoding Settings
    11. Best Practices: Export faster
  17. Collaborative editing
    1. Collaboration in Premiere Pro
    2. Get started with collaborative video editing
    3. Create Team Projects
    4. Add and manage media in Team Projects
    5. Invite and manage collaborators
    6. Share and manage changes with collaborators
    7. View auto saves and versions of Team Projects
    8. Manage Team Projects
    9. Linked Team Projects
    10. Frequently asked questions
  18. Long form and Episodic workflows
    1. Long Form and Episodic Workflow Guide
    2. Using Productions
    3. How clips work across projects in a Production
    4. Best Practices: Working with Productions
  19. Working with other Adobe applications
    1. After Effects and Photoshop
    2. Dynamic Link
    3. Audition
    4. Prelude
  20. Organizing and Managing Assets
    1. Working in the Project panel
    2. Organize assets in the Project panel
    3. Playing assets
    4. Search assets
    5. Creative Cloud Libraries
    6. Sync Settings in Premiere Pro
    7. Consolidate, transcode, and archive projects
    8. Managing metadata
    9. Best Practices
      1. Best Practices: Learning from broadcast production
      2. Best Practices: Working with native formats
  21. Improving Performance and Troubleshooting
    1. Set preferences
    2. Reset and restore preferences
    3. Recovery Mode
    4. Working with Proxies
      1. Proxy overview
      2. Ingest and Proxy Workflow
    5. Check if your system is compatible with Premiere Pro
    6. Premiere Pro for Apple silicon
    7. Eliminate flicker
    8. Interlacing and field order
    9. Smart rendering
    10. Control surface support
    11. Best Practices: Working with native formats
    12. Knowledge Base
      1. Known issues
      2. Fixed issues
      3. Fix Premiere Pro crash issues
      4. Unable to migrate settings after updating Premiere Pro
      5. Green and pink video in Premiere Pro or Premiere Rush
      6. How do I manage the Media Cache in Premiere Pro?
      7. Fix errors when rendering or exporting
      8. Troubleshoot issues related to playback and performance in Premiere Pro
  22. Extensions and plugins
    1. Installing plugins and extensions in Premiere Pro
    2. Latest plugins from third-party developers
  23. Video and audio streaming
    1. Secure Reliable Transport (SRT)
  24. Monitoring Assets and Offline Media
    1. Monitoring assets
      1. Using the Source Monitor and Program Monitor
      2. Using the Reference Monitor
    2. Offline media
      1. Working with offline clips
      2. Creating clips for offline editing
      3. Relinking offline media

Learn to use the Motion effect to position, scale, or rotate clips within the video frame. Master clip animation by setting keyframes for Motion properties.

Use the Motion effect to position, scale, or rotate a clip within the video frame. By default, each clip that you add to the Timeline panel has the Motion effect applied as a fixed effect. You can view and adjust the Motion effect properties in the Effect Controls panel by clicking the triangle next to the Motion name.

You can also animate clips by setting keyframes for Motion properties. For more information, see Animate motion in the Program Monitor.

Note:

Standard effects that allow direct manipulation of clips in the Program Monitor include all the Generate effects, Corner Pin, Crop, Garbage Matte, Lighting Effects, Mirror, Transform, Twirl, and more. This capability is indicated by the Transform icon  next to the effect name in the Effect Controls panel.

Adjust Position of a Clip

To adjust a clip in the Program Monitor, do the following:

  1. Select a clip in the Timeline panel, and move the current-time indicator to a location of a frame within the clip. Ensure that the Uniform Scale check box of the Motion effect is deselected.

  2. Do one of the following:
    • Lighting Effects only

      From the Effects panel, apply Lighting Effects to the clip. You notice that a lens flare appears on the clip. You can adjust the position of the light using the options available in the Effect Controls panel. 

    Before adding lighting effects
    Before adding lighting effects

    After adding lighting effects
    After adding lighting effects

    • Motion effect only

      Select the clip in the Program Monitor. The handles and clip anchor point appear in the Program Monitor which allow you to adjust the position of the clip.

Scale a clip

To scale a clip in the Program Monitor, do any of the following:

  • To position a clip or lighting effect, double-click on the clip. The handles and clip anchor point appear on the clip. Drag the clip to reposition it. Don’t drag a handle to reposition the clip or lighting effect.
  • To scale freely, drag a corner handle.
  • To scale along one dimension only, drag a side (not a corner) handle.
  • To scale proportionally, shift-drag a corner handle.
Scale assets manually

Scaled frame
Scaled frame

Note:

When using the Motion effect to scale a clip, scaling images over 100% can make them look blocky or pixelated.

Scale assets

When you drag an asset into a sequence, by default Premiere Pro preserves its frame size and centers the asset in the program frame. You can rescale the asset without distortion, if its pixel aspect ratio has been interpreted correctly.

Scale assets manually

  1. Drag the asset from the Project Panel into a sequence and select the asset.

  2. Open the Effect Controls panel.

  3. To open the motion controls under the Motion effect, click the triangle next to it.

  4. Click the triangle next to the Scale control within the Motion effect to reveal the Scale slider.

  5. Move the Scale slider left or right to decrease or increase the size of the frame.

Scale assets to frame size

  1. Right-click (Windows) or Control-click (macOs) on an asset in the timeline.

  2. Select Scale To Frame Size.

Note:

The Scale to Frame Size option resamples the image to match the size of the sequence. The Set to Frame Size option does not resample the image size. It sets the scale to be fit inside the image frame.

Scale assets automatically

  1. Choose Edit > Preferences > Media (Windows) or Premiere Pro > Preferences > Media (macOs).

  2. Select Scale to frame size under Default Media Scaling.

    Scale to frame
    Scale to frame

  3. Click OK.

Rotate a clip

  • To rotate a clip or effect, position the pointer slightly outside any of the handles, so that the pointer changes into the Rotate icon   and drag.
  • In the Effect Controls Panel, click the triangle next to Motion to open up the Motion controls. To rotate the clip, enter a value in the Rotation field.
  • To flip a clip, enter a negative value in the Rotation field.
Select frame
Select frame

Rotated clip
Rotated clip

Note:

To animate the motion, scaling, or rotation over time, set keyframes as you manipulate the clip or effect in the Program Monitor. For more information, see Animate a clip in the Program Monitor.

A few important points

  • By default, a clip appears at 100% of its original size in the center of the Program Monitor. Position, scale, and rotation values are calculated from the clip anchor point, which lies at the clip’s center by default.
  • Position, Scale, and Rotation properties are spatial in nature, so it’s easiest to adjust them directly in the Program Monitor. 

Animate motion in the Program Monitor

You can create animations, insets, and split screens by manipulating a clip directly in the Program Monitor and setting keyframes for the Motion effect. By adjusting a clip’s position and scale in the Program Monitor, you reveal clips in the tracks below it and can create interesting compositions.

When you animate a clip’s position, a motion path represents the clip’s motion in the Program Monitor. Small blue boxes represent keyframed positions, dotted lines represent positions at interpolated frames, and the circular clip anchor point symbol represents a spot in the clip, its center by default, at the current frame. The spacing between dots indicates the speed between keyframes: wide spacing shows fast motion, while tightly spaced dots show slower motion.

Clip showing motion path
Clip showing motion path

Clip showing variation of speed in motion path
Clip showing variation of speed in motion path

Note:

To quickly apply Motion effect changes to a sequence clip, you can click the image in the Program Monitor and begin manipulation. If you adjust the position of the image, you can further refine its movement by using the Bezier keyframes.

Animate a clip in the Program Monitor

When the Motion effect is selected in the Effect Controls panel, you can manipulate a clip to create an animation in the Program Monitor. To animate a clip in the Program Monitor, follow these steps:

  1. Select a clip in the Timeline panel.

  2. Do one of the following:
    • Select the Motion effect in the Effect Controls panel.

    • Double-click on the image in the Program Monitor.

    Handles appear around the clip’s perimeter in the Program Monitor.

  3. Move the current-time indicator in either the Timeline panel or the Effect Controls panel to the time where you want to start the animation—any frame between the clip’s current In point and its Out point.

  4. Click the triangle next to the Motion control in the Effect Controls panel.

  5. Click the Toggle Animation button  next to the Position control to set the first keyframe.

  6. In the Program Monitor, change the keyframe value by positioning the pointer near any of the clip’s eight square handles to use any of the following pointer tools:
    • The selection pointer to set the position value.

    • The rotate pointer to set the rotation value.

    • The scale pointer to set the scale value.

    Note:

    If clip handles disappear, reselect the Motion effect in the Effect Controls panel.

  7. Move the current-time indicator, in either the timeline or the Effect Controls panel, to the time at which you want to define a new value for the property (and hence new keyframe).

  8. Manipulate the clip in the Program Monitor to set a new value for each property for which you set keyframes in step 3. A new Keyframe icon appears in the Effect Controls panel at the current-time indicator.

  9. Repeat steps 5 and 6 as needed.
    Note:

    When you animate a clip, it can be useful to reduce the Program Monitor’s magnification level. This way, you can see more of the pasteboard area outside the visible area of the screen and can use it to position the clip off screen.

  10. In the Effect Controls panel, expand the property (Position, Scale, Rotation, or Anti-flicker) and drag the Bezier handle to control the acceleration of change for that property.

Change Position keyframes in a motion path

You can change the value of a Position keyframe, and adjust your motion path, simply by dragging the Position keyframe (indicated by a blue X) in the Program Monitor.

  1. Select a clip that has Motion effect keyframes.
  2. Do any of the following:
    • To move an existing keyframe, drag the keyframe handle in the Program Monitor.

    • To create a new position keyframe, set the current-time indicator between existing keyframes and drag the clip in the Program Monitor to the desired location. A new keyframe appears in the Effect Controls panel, the Program Monitor, and in the clip in the Timeline panel.

    Note:

    This procedure changes the position value at a keyframe. To change the timing of keyframes, move Keyframe icons in the Effect Controls panel.

Move a clip along a curve

You can move a clip along a curve using Bezier handles in the Program Monitor.

  1. Select a clip in the Timeline panel.

  2. Move the current-time indicator in either the Timeline panel or the Effect Controls panel to the time you want to start the animation—any frame between the clip’s current In point and its Out point.

  3. Click the triangle next to the Motion control in the Effects Controls panel.

  4. Click the Toggle Animation button next to the Position control to set the first keyframe.

  5. Drag the current-time indicator in either the Timeline panel or the Effect Controls panel to the frame where you want to end the animation.

  6. In the Program Monitor, drag the clip to the location where you want the clip at the end of its movement.

    A motion path appears in the Program Monitor connecting the start and end points of the clip’s motion.

  7. Click the triangle next to Position to open up the speed controls. Small Bezier handles appear on the line when the keyframes are selected.

  8. Drag either or both of the Bezier handles in any direction to create curves in the motion path.

  9. In the Effect Controls panel, right-click (Windows) or Control-click (macOs) a Position keyframe.

  10. Select a type of acceleration from either the Temporal Interpolation or the Spatial Interpolation menu.

  11. Drag the current-time indicator to the first keyframe and press Enter (Windows) or Return (macOs) to preview the motion of the clip.

Adjust or animate clip anchor points

By default, a clip anchor point is set at the exact center of a clip. You can change the position of a clip in relation to its frame or motion path, however, by moving the clip anchor point. Further, you can change the location of the clip anchor point over time, allowing the clip to move in relation to its frame or motion path. Animating the clip anchor point can be used, for example, to create an image-panning effect.

  1. In the Timeline panel, place the current-time indicator at the beginning of a clip.

  2. Double-click the clip in the Program Monitor. The clip anchor point becomes visible at the center of the clip.

  3. Select the Effect Controls tab, and, if necessary, click the triangle next to the Motion heading to open the Motion controls.

  4. Drag the anchor point horizontal control to the left (decreasing the number value) to offset the anchor point to the left of the clip, or drag it to the right (increasing the number value) to offset it to the right.
  5. Drag the anchor point vertical control to the left (decreasing the number value) to offset the anchor point toward the top of the clip, or to the right (increasing the number value) to offset it toward the bottom.
  6. To set the keyframe, click the Add/Remove Keyframe button .

    Add/remove Keyframe

  7. (Optional) To change the location of the clip anchor point over time, move the current-time indicator in the Effect Controls panel or in the Timeline panel to a different point in time. Change the horizontal and vertical anchor controls to new values.

    Another keyframe marks the location of the clip anchor point at the selected frame.

  8. (Optional) To set the rate of the change in the anchor point location, drag the handles in the anchor point Velocity graph.

Adjust anchor points in the Program Monitor

Note:

This feature is applicable only for the built-in Motion effect and not for other effects that have an anchor point.

You can move the anchor point of the Motion effect directly in the Program Monitor.

  1. Open the Motion Controls in the Effect Controls panel and select the Anchor Point property.
  2. Move the cursor over the anchor point or drag it, the shape of the cursor changes to.

When you drag the anchor point in the Program Monitor, the anchor point gets relocated in the Program Monitor while the frame remains still. It is achieved by simultaneously updating both the Anchor Point and Position parameters.

Note:

This behavior is similar to the Pan Behind (Anchor Point) tool in After Effects.

Use modifier keys

To update only the Anchor Point parameter and not the Position parameter, press the Alt (Windows) or Option (macOs) key and move the cursor over the anchor point, the cursor changes to . Then, drag the anchor point in the Program Monitor. It drags the frame while the anchor point stays in place.

To enable snapping, press the Ctrl key and start dragging the anchor point. A box is drawn over the target. The anchor point then snaps to the side handles or center point of the frame when close.

A few important points

  • To preserve the ability to drag the position of the clip when the Program Monitor is small, the anchor point crosshairs are hidden. Note that it's the size of the Motion Direct Manipulation frame in pixels on screen that matters.
  • To achieve a finer control over the anchor point location, use the Anchor Point property in the Effect Controls panel. Any changes to the anchor point in the Program Monitor are updated in the Effect Controls panel and conversely.
  • When changing the anchor point through the parameter in the Effect Controls panel, it's the frame that moves in the Program Monitor while the anchor point actually stays in the same place on the screen.

Related resources

Talk to us

If you have a question or a concern, reach out to us in our Premiere Pro community. We would love to help.

 Adobe

Get help faster and easier

New user?