- Importing
- Importing from Avid or Final Cut
- Searching for imported media
- File formats
- Working with timecode
- Edit video
-
Sequences
- Create and change sequences
- Set In and Out points in the Source Monitor
- Add clips to sequences
- Rearrange and move clips
- Find, select, and group clips in a sequence
- Remove clips from a sequence
- Change sequence settings
- Edit from sequences loaded into the Source Monitor
- Simplify sequences
- Rendering and previewing sequences
- Working with markers
- Add markers to clips
- Create markers in Effect Controls panel
- Set default marker colors
- Find, move, and delete markers
- Show or hide markers by color
- View marker comments
- Copy and paste sequence markers
- Sharing markers with After Effects
- Source patching and track targeting
- Scene edit detection
- Generative Extend
- Cut and trim clips
- Video
-
Audio
- Overview of audio in Premiere Pro
- Edit audio clips in the Source Monitor
- Audio Track Mixer
- Adjusting volume levels
- Edit, repair, and improve audio using Essential Sound panel
- Enhance Speech
- Enhance Speech FAQs
- Audio Category Tagging
- Automatically duck audio
- Remix audio
- Monitor clip volume and pan using Audio Clip Mixer
- Audio balancing and panning
- Advanced Audio - Submixes, downmixing, and routing
- Audio effects and transitions
- Working with audio transitions
- Apply effects to audio
- Measure audio using the Loudness Radar effect
- Recording audio mixes
- Editing audio in the timeline
- Audio channel mapping in Premiere Pro
- Use Adobe Stock audio in Premiere Pro
- Text-Based Editing
- Advanced editing
- Best Practices
- Overview of video effects and transitions
- Effects
- Transitions
- Properties panel
- Essential Graphics panel (24.x and earlier)
- Captions
- Motion Graphics Templates
- Best Practices: Faster graphics workflows
- Retiring the Legacy Titler FAQs
- Upgrade Legacy titles to Source Graphics
- Overview: Color workflows in Premiere Pro
- Color Settings
- Auto Color
- Get creative with color using Lumetri looks
- Adjust color using RGB and Hue Saturation Curves
- Correct and match colors between shots
- Using HSL Secondary controls in the Lumetri Color panel
- Create vignettes
- Looks and LUTs
- Lumetri scopes
- Display color management
- Timeline tone mapping
- HDR for broadcasters
- Enable DirectX HDR support
- About color management
- How color management works
- Disable color management
- Manage source media colors in the Program Monitor
- Configure clips for color management using Clip Modify
- Configure sequence color management
- Customize color presets for new or existing sequences
- Configure a sequence’s output color space
- Color management options
- Color management and Lumetri Color
- Premiere Pro and After Effects color management compatibility
- Frequently asked questions
- Collaboration in Premiere Pro
- Get started with collaborative video editing
- Create Team Projects
- Add and manage media in Team Projects
- Invite and manage collaborators
- Share and manage changes with collaborators
- View auto saves and versions of Team Projects
- Manage Team Projects
- Linked Team Projects
- Frequently asked questions
- Set preferences
- Reset and restore preferences
- Recovery Mode
- Working with Proxies
- Check if your system is compatible with Premiere Pro
- Premiere Pro for Apple silicon
- Eliminate flicker
- Interlacing and field order
- Smart rendering
- Control surface support
- Best Practices: Working with native formats
-
Knowledge Base
- Known issues
- Fixed issues
- Fix Premiere Pro crash issues
- Why do my Premiere Pro exports look washed out?
- Unable to migrate settings after updating Premiere Pro
- Green and pink video in Premiere Pro or Premiere Rush
- How do I manage the Media Cache in Premiere Pro?
- Fix errors when rendering or exporting
- Troubleshoot issues related to playback and performance in Premiere Pro
- Adobe Premiere Pro User Guide
- Beta releases
- Hardware and operating system requirements
- Creating projects
- Workspaces and workflows
- Frame.io
-
Import media
- Importing
- Importing from Avid or Final Cut
- Searching for imported media
- File formats
- Working with timecode
-
Editing
- Edit video
-
Sequences
- Create and change sequences
- Set In and Out points in the Source Monitor
- Add clips to sequences
- Rearrange and move clips
- Find, select, and group clips in a sequence
- Remove clips from a sequence
- Change sequence settings
- Edit from sequences loaded into the Source Monitor
- Simplify sequences
- Rendering and previewing sequences
- Working with markers
- Add markers to clips
- Create markers in Effect Controls panel
- Set default marker colors
- Find, move, and delete markers
- Show or hide markers by color
- View marker comments
- Copy and paste sequence markers
- Sharing markers with After Effects
- Source patching and track targeting
- Scene edit detection
- Generative Extend
- Cut and trim clips
- Video
-
Audio
- Overview of audio in Premiere Pro
- Edit audio clips in the Source Monitor
- Audio Track Mixer
- Adjusting volume levels
- Edit, repair, and improve audio using Essential Sound panel
- Enhance Speech
- Enhance Speech FAQs
- Audio Category Tagging
- Automatically duck audio
- Remix audio
- Monitor clip volume and pan using Audio Clip Mixer
- Audio balancing and panning
- Advanced Audio - Submixes, downmixing, and routing
- Audio effects and transitions
- Working with audio transitions
- Apply effects to audio
- Measure audio using the Loudness Radar effect
- Recording audio mixes
- Editing audio in the timeline
- Audio channel mapping in Premiere Pro
- Use Adobe Stock audio in Premiere Pro
- Text-Based Editing
- Advanced editing
- Best Practices
-
Video Effects and Transitions
- Overview of video effects and transitions
- Effects
- Transitions
-
Titles, Graphics, and Captions
- Properties panel
- Essential Graphics panel (24.x and earlier)
- Captions
- Motion Graphics Templates
- Best Practices: Faster graphics workflows
- Retiring the Legacy Titler FAQs
- Upgrade Legacy titles to Source Graphics
- Fonts and emojis
- Animation and Keyframing
- Compositing
-
Color Correction and Grading
- Overview: Color workflows in Premiere Pro
- Color Settings
- Auto Color
- Get creative with color using Lumetri looks
- Adjust color using RGB and Hue Saturation Curves
- Correct and match colors between shots
- Using HSL Secondary controls in the Lumetri Color panel
- Create vignettes
- Looks and LUTs
- Lumetri scopes
- Display color management
- Timeline tone mapping
- HDR for broadcasters
- Enable DirectX HDR support
-
Color management
- About color management
- How color management works
- Disable color management
- Manage source media colors in the Program Monitor
- Configure clips for color management using Clip Modify
- Configure sequence color management
- Customize color presets for new or existing sequences
- Configure a sequence’s output color space
- Color management options
- Color management and Lumetri Color
- Premiere Pro and After Effects color management compatibility
- Frequently asked questions
- Exporting media
-
Collaborative editing
- Collaboration in Premiere Pro
- Get started with collaborative video editing
- Create Team Projects
- Add and manage media in Team Projects
- Invite and manage collaborators
- Share and manage changes with collaborators
- View auto saves and versions of Team Projects
- Manage Team Projects
- Linked Team Projects
- Frequently asked questions
- Long form and Episodic workflows
- Working with other Adobe applications
- Organizing and Managing Assets
-
Improving Performance and Troubleshooting
- Set preferences
- Reset and restore preferences
- Recovery Mode
- Working with Proxies
- Check if your system is compatible with Premiere Pro
- Premiere Pro for Apple silicon
- Eliminate flicker
- Interlacing and field order
- Smart rendering
- Control surface support
- Best Practices: Working with native formats
-
Knowledge Base
- Known issues
- Fixed issues
- Fix Premiere Pro crash issues
- Why do my Premiere Pro exports look washed out?
- Unable to migrate settings after updating Premiere Pro
- Green and pink video in Premiere Pro or Premiere Rush
- How do I manage the Media Cache in Premiere Pro?
- Fix errors when rendering or exporting
- Troubleshoot issues related to playback and performance in Premiere Pro
- Extensions and plugins
- Video and audio streaming
- Monitoring Assets and Offline Media
Learn what's new in Premiere Pro.
April 2025 update (25.2)
The 25.2 release of Premiere Pro features Generative Extend, media intelligence and Search panel, easy captions translation, and more. It's the perfect time to update.
Learn about best practices for updating Premiere Pro.
Premiere Pro uses generative AI to seamlessly add frames to the beginning or end of a clip. This lets you perfectly time edits, hold on to an emotional character reaction for an extra beat, add room tone, or cover transitions even when you run out of media.
Find your footage faster with media intelligence
Use the new AI-powered media intelligence to search for your perfect shot through visuals, transcripts, and clip-based metadata across thousands of shots in seconds.
Go global in seconds with Caption Translation
Caption Translation automates generating multilingual captions in Premiere Pro, helping you effortlessly connect with audiences worldwide.
Color management in Premiere Pro has been radically improved, making it easier to use wide-gamut camera raw and log-encoded media, simpler to output to multiple formats, and faster to achieve great color.
Added support for import of MKV (H.264/AAC) files
Completely rewritten support for MKV (H.264/AAC) files to improve compatibility and performance, allowing for seamless playback and editing of MKV files in Premiere Pro.
Add Content Credentials into exported video files
Add Content Authenticity Initiative (CAI) credentials into video files exported from Premiere Pro or queued for export through Adobe Media Encoder.
The audio waveforms now reflect adjustments to the volume on clips. Enabled by default, they can be toggled on and off by selecting View > Dynamic Audio Waveforms.
Hardware acceleration for Canon Cinema RAW Light
Hardware acceleration of the Canon Cinema RAW Light format is now available in Premiere Pro, After Effects, and Adobe Media Encoder for Apple silicon computers.