Built for editors and designed for creativity, the 23.0 release of Premiere Pro presents the best titling toolset available.
Streamline your title and graphics workflows with refinements such as the ability to bulk edit title clips in the timeline, flexible alignment controls, and more. The release incorporates foundational work on stability and performance, like faster Motion Graphics templates and GPU-accelerated Lumetri scopes. With support for the new ARRI ALEXA 35 and AAF on Apple silicon, interoperability and format support is expanded.
Use the titling and graphics tools in Premiere Pro to add visual impact and production value to your videos.
Now you can select between inner, centered, or outer strokes for more control when adding decorative elements to text and graphics in Premiere Pro.
Designing titles in Premiere Pro is easier and faster. Line up text and shape elements with one click when designing titles in the Premiere Pro Program Monitor. Along with the ability to align objects in relation to each other, you can now also align text and shape elements with the video frame.
Align multiple objects together
You can also access these alignment options from the Graphics and Titles menu.
Working with titles is more efficient and flexible. Select multiple title clips in the sequence and apply changes like font or font size, colors, and backgrounds to all of them simultaneously.
Motion Graphics templates from After Effects now render 2x faster in Premiere Pro thanks to Multi-Frame Rendering. Depending on the template and your system you may see even more significant speed gains.
10-bit AVC Intra formats are now up to 2x faster on Apple silicon, thanks to GPU acceleration, providing improved playback and smoother scrubbing performance for AVC Intra formats in MXF containers, including Sony XAVC Intra, Canon XF-AVC Intra, and Panasonic AVC Intra.
GPU acceleration for Lumetri scopes makes better use of system resources, resulting in better playback.
Premiere Pro now uses Apple ProRes 422 LT as the default codec for sequence rendering, which provides high-quality previews for rendered effects on macOS and Windows.
If needed, you can override the video preview file format by going to Sequence > Sequence Settings and selecting a different format and codec in the Video Previews section.
You can use Previews to speed up exports with smart rendering. If exporting to ProRes, choose Match Sequence preview settings. Since your previews have already been rendered, there’s no need for additional encoding, resulting in faster export.
AAF support extends interoperability for Premiere Pro users working on Apple silicon Macs. Previously, this functionality was only available in Premiere Pro in Rosetta mode. Read more about Premiere Pro for Apple silicon.
ARRIRAW and ProRes files from the ARRI ALEXA 35 camera are now supported. Read more about all the file formats supported by Premiere Pro.
Assemble rough cuts from transcripts
You can now generate transcripts of your footage during import or from the Text panel. You can then select text sections and add them to your sequence, creating a rough cut.