Select the Mark In and Mark Out points in the Source Monitor to select the clip you want to source patch. You can also use the I and O keyboard shortcuts.
Last updated on
May 24, 2023
- Adobe Premiere Pro User Guide
- Beta releases
- Getting started
- Hardware and operating system requirements
- Creating projects
- Workspaces and workflows
- Frame.io
- Import media
- Importing
- Importing from Avid or Final Cut
- File formats
- Working with timecode
- Editing
- Edit video
- Sequences
- Create and change sequences
- Set In and Out points in the Source Monitor
- Add clips to sequences
- Rearrange and move clips
- Find, select, and group clips in a sequence
- Remove clips from a sequence
- Change sequence settings
- Edit from sequences loaded into the Source Monitor
- Simplify sequences
- Rendering and previewing sequences
- Working with markers
- Add markers to clips
- Create markers in Effect Controls panel
- Set default marker colors
- Find, move, and delete markers
- Show or hide markers by color
- View marker comments
- Copy and paste sequence markers
- Sharing markers with After Effects
- Source patching and track targeting
- Scene edit detection
- Cut and trim clips
- Video
- Audio
- Overview of audio in Premiere Pro
- Edit audio clips in the Source Monitor
- Audio Track Mixer
- Adjusting volume levels
- Edit, repair, and improve audio using Essential Sound panel
- Enhance Speech
- Enhance Speech FAQs
- Audio Category Tagging
- Automatically duck audio
- Remix audio
- Monitor clip volume and pan using Audio Clip Mixer
- Audio balancing and panning
- Advanced Audio - Submixes, downmixing, and routing
- Audio effects and transitions
- Working with audio transitions
- Apply effects to audio
- Measure audio using the Loudness Radar effect
- Recording audio mixes
- Editing audio in the timeline
- Audio channel mapping in Premiere Pro
- Use Adobe Stock audio in Premiere Pro
- Overview of audio in Premiere Pro
- Text-Based Editing
- Advanced editing
- Best Practices
- Video Effects and Transitions
- Overview of video effects and transitions
- Effects
- Transitions
- Titles, Graphics, and Captions
- Properties panel
- Essential Graphics panel (24.x and earlier)
- Overview of the Essential Graphics panel
- Create a title
- Linked and Track Styles
- Working with style browser
- Create a shape
- Draw with the Pen tool
- Align and distribute objects
- Change the appearance of text and shapes
- Apply gradients
- Add Responsive Design features to your graphics
- Speech to Text
- Download language packs for transcription
- Working with captions
- Check spelling and Find and Replace
- Export text
- Speech to Text FAQs
- Motion Graphics Templates
- Best Practices: Faster graphics workflows
- Retiring the Legacy Titler FAQs
- Upgrade Legacy titles to Source Graphics
- Fonts and emojis
- Animation and Keyframing
- Compositing
- Color Correction and Grading
- Overview: Color workflows in Premiere Pro
- Color Settings
- Auto Color
- Get creative with color using Lumetri looks
- Adjust color using RGB and Hue Saturation Curves
- Correct and match colors between shots
- Using HSL Secondary controls in the Lumetri Color panel
- Create vignettes
- Looks and LUTs
- Lumetri scopes
- Display Color Management
- Timeline tone mapping
- HDR for broadcasters
- Enable DirectX HDR support
- Exporting media
- Collaborative editing
- Collaboration in Premiere Pro
- Get started with collaborative video editing
- Create Team Projects
- Add and manage media in Team Projects
- Invite and manage collaborators
- Share and manage changes with collaborators
- View auto saves and versions of Team Projects
- Manage Team Projects
- Linked Team Projects
- Frequently asked questions
- Long form and Episodic workflows
- Working with other Adobe applications
- Organizing and Managing Assets
- Improving Performance and Troubleshooting
- Set preferences
- Reset and restore preferences
- Recovery Mode
- Working with Proxies
- Check if your system is compatible with Premiere Pro
- Premiere Pro for Apple silicon
- Eliminate flicker
- Interlacing and field order
- Smart rendering
- Control surface support
- Best Practices: Working with native formats
- Knowledge Base
- Known issues
- Fixed issues
- Fix Premiere Pro crash issues
- Unable to migrate settings after updating Premiere Pro
- Green and pink video in Premiere Pro or Premiere Rush
- How do I manage the Media Cache in Premiere Pro?
- Fix errors when rendering or exporting
- Troubleshoot issues related to playback and performance in Premiere Pro
- Set preferences
- Extensions and plugins
- Video and audio streaming
- Monitoring Assets and Offline Media
Source patching and track targeting are great editing techniques to speed up your editing process and reduce errors.
Source patching is a method to specify exactly where you want your asset (image, video, or audio) to appear in the timeline when placing the asset. Use this process as you build your sequence in the timeline.
Once you have your sequence on the timeline, use track targeting when copying and pasting on the timeline to ensure that your edits are on the specific track you want to work on.
Before you start
- Switch to the Editing workspace (Window > Workspaces > Editing).
- Review this image to understand all the source patching and track targeting controls you need.
A. Source Monitor controls B. Program Monitor C. Source patching panel D. Track targeting panel
-
-
To insert the clip, do one of the following:
- Drag the clip from the Source Monitor to the Program Monitor (as shown in the video) and select Insert in the Program Monitor.
- Select Insert from the Source Monitor and select the desired track to insert the source clip.
- Select the clip and use the comma (,) keyboard shortcut to insert a clip.
When you add a clip to the sequence using an Insert edit, the clips later in time shift ahead to accommodate the new clip. You can also Press Ctrl (Win) or Command (macOS) to enter Insert mode while dragging a clip.
-
Select Overwrite from the Source Monitor and select the desired track to overwrite the clip. You can also use a period (.) to overwrite a clip.
Note:An Overwrite edit adds a clip by replacing existing frames in a sequence that extends from the edit point for the clip's duration. When adding clips to sequences or rearranging clips inside sequences, the Overwrite approach is the default.
Source patchers and Source track indicators
Source patchers have three states: On, Off, and Black/Silent. One patch is displayed for each video and audio track for the item in the Source Monitor.
On state
The associated track is part of an edit action while an item is in the On state.
Off state
When the track is in the Off state, edit changes are not reflected in the track.
Black/Silent state
A gap rather than the source panel is shown on the track while in the Black/Silent mode.
The timeline in Premiere Pro is organized in a hierarchy. This may impact how items are pasted when using specific keyboard shortcuts and how items are chosen. Track Targeting helps in Navigation, Copy/paste, and Match framing.
-
Copy the sequence/clip.
-
Select the track you want to target and choose Edit > Paste Insert.
-
To select and target multiple sources or target tracks press Cmd or Ctrl as you drag and drop the cursor across multiple track buttons on the timeline.
To invert the selection, press Cmd plus Shift or Ctrl plus Shift while dragging.
Benefits of track targeting
Track targeting can be powerful when copying and pasting items on the timeline, matching frames, or navigating the timeline.
Copy/Paste
Track targeting gives you additional control over clips on the timeline when doing copy-and-paste operations. When you copy and paste an item on the timeline, it is pasted on the lowest track targeted based on the layer order. For example, if you have V1 and V4 targeted, your content will paste to track one.
Match Frame
Match framing allows you to find the source frame of any frame in a sequence clip on the timeline and brings it up in the source monitor. Premiere Pro will only match the frame of the clip when a track is targeted and will always match the frame in the highest targeted track. For example, if you have clips on video tracks V1, V2, and V4, and only V2 is targeted, Premiere Pro will match the frame of the clip on track two.
Navigation
Track targeting helps you navigate quickly through the timeline. Use the up and down arrow keys to snap your playhead to In and Out points of clips on targeted tracks. You can have multiple tracks targeted at any given time, allowing you to navigate any clip's In and Out points on the timeline.
Additional track targeting functions
Toggle Track Output
To disable a track, select the Toggle Track Output button in the track header. It disappears from the Program Monitor.
Toggle Sync Lock
Sync locks will allow you to lock certain tracks together to keep them in sync.
Toggle Track Lock
Allows you to completely lock the track. You can no longer make any edits to this track.
Toggle Track Targeting
Helps in managing the clips that are accessible in the video and audio tracks. Each track on the timeline has a unique number. Select a track number to choose it.
Set and use keyboard shortcuts
There are various keyboard shortcuts that can be used to speed up your workflow. You can also set keyboard shortcuts for actions, such as Paste to Same Track, Paste Insert to Same Track, Paste to Target Track, and Paste Insert to Target Track.
-
On Windows: Edit > Keyboard Shortcuts. On macOS: Adobe Premiere Pro > Keyboard Shortcuts.
-
In the Commands drop-down list, go to Timeline Panel.
-
In the Paste to Same Track section, delete the shortcut assigned.
-
Reassign the shortcut to Paste To Target Track.
-
Select OK and close the dialog box
Learn more
Watch these videos for more source patching and track targeting techniques.
How to add video and audio to the timeline in Premiere Pro.
Viewing time: 54 seconds
Shortcuts for the timeline in Premiere Pro – track targeting
Viewing time: 1 min
Related resources
Talk to us
If you have questions about source patching or track targeting, reach out to us in our Premiere Pro community. We would love to help.