New in Premiere Pro, automatic tone mapping makes it easy to work with different types of footage and different color spaces in the same sequence. Mix and match camera media, from Log footage to iPhone HLG and other HDR formats in rec709 (Standard Dynamic Range) sequences, while retaining consistent colors. With automatic tone mapping, there’s no more risk of clipping your highlights.
Premiere Pro automatically adjusts wide color gamuts to display accurately in your sequence without blown-out highlights. Tone mapping is enabled by default, so iPhone or HDR footage will display correctly.